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БЂњDrums are my favorite thing to record. People seem to be intimidated by them. Maybe itБЂ™s because theyБЂ™re cumbersome and thereБЂ™s so many elements to them — but thatБЂ™s actually what I love the most. As IБЂ™ve gotten more experienced, IБЂ™ve come to really appreciate how БЂ

БЂњMy main approach to recording drums hasnБЂ™t changed much over the years,БЂ« he explains, БЂњespecially in Studio A, where I started when it was the Power Station, after coming there from a brief stint at .б 

Maybe itБЂ™s just his sterling personality БЂ" try and match him for upbeat enthusiasm — that gets him these great gigs, but probably itБЂ™s just as much because he really knows how to record musicians and their instruments. And while capturing drums can be a quagmire for the faint of heart, Dorfsman charges fearlessly into any session, mics in hand, applying his deep experience to getting that sound down.б б б б 

Neil Makes a point! Photo credit: Jan Cain

Something is obviously working for . This NYC-honed producer/engineerБЂ™s credits are impeccable, with GRAMMY awards for the likes of (Nothing Like the Sun) and (Brothers In Arms), and a whole bunch of clients that youБЂ™ve got somewhere in your iPod , , , , , ).

Drums de Dorfsman: Chimene Badi at Avatar’s Studio A

Drums de Dorfsman: Chimene Badi at Avatar’s Studio A : SonicScoop – Creative, Technical & Business Connections For NYCБЂ™s Music & Sound Community